Writers and Rockers
Although I’ve never published a novel or even sold a story to a major magazine, my life as a writer has brought me great pleasure. Still, I must confess that, secretly, I’ve always wanted to be a rock star. Go ahead and laugh if you like but what young boy hasn’t dreamed of standing there on stage amid the smoke and the lights with the echo of the amplifiers ringing in his head? Since the first time I stood pressed against a stage and felt the rumbling throb of the bass rattling my teeth, I have known to what form of expression I wished to devote my life, my love and my energy.
Countless teenage hours were spent alone in my room lip-synching to no one while, in my head, I saw ten thousands eyes (I was playing a small arena) glazed with wonder, staring up at me as their mouths moved in time with my own. Oh, how the busty and supple young girls in the tight tops and leather skirts would swoon when I punctuated a gritty guitar line with a nasty pelvic thrust against the mic stand, giving them a leer that made it clear I alone knew the secrets to unimaginable ecstasy.
Unfortunately, this noble dream, like oh so many others, was destined to fall far short of fruition.
Now, with my thirtieth birthday well behind me and the inevitable fear of old age starting to blossom in me, I must regretfully accept the fact that I will never be the next Jim Morrison, the next Bono or even the next Lead Singer from the Crash Test Dummies or That Guy from Phish Who Looks Like Chuck Norris.
Accepting my shortcomings makes me sigh heavily with regret but, even as my youthful hopes for a career on the rock ‘n’ roll road began to fade, I heard another calling. Yes, in the deep despair of my failure, I found another muse: writing.
So far, this avocation has not paid a single bill and I’m beginning to doubt that it ever will. But, paid or not, I am a writer. So, now, I pass my free time not with addictive melodies, sublime harmonies, infectious rhythms and a cornucopia of groupies and coked-out models but, rather, with carefully wrought sentences and studiously crafted stories. Instead of a Stratocaster, I wield a Bic pen (or, to be more accurate, a rather bulky and not-at-all-portable desktop PC). I weave my magic not before screaming throngs of adoring fans but sitting in my boxer shorts, alone in a dark room with only my cats and one Chihuahua to offer encouragement. And, most days, my pets are rather disinterested in my work.
In spite of all this, I do not despair for, as pathetic as this all sounds, I really enjoy what I do and I haven’t yet stopped dreaming of success.
The only thing that really depresses me about writing is that, even if become the next Stephen King, I’ll still never have the rush as even the lowliest rock star.
I’ve been to readings and book signings and I’ve seen rabid book fans but I’ve never seen a girl throw her panties onto the stage while David Sedairs reflected on his years living abroad and struggling with a foreign tongue. (But, to be fair, that’s a bad example. Throwing your panties to Mr. Sedairs probably wouldn’t accomplish much.)
I’ve listened to hundreds of audiobooks but I’ve never found myself talking along with the author or narrator, matching him word-for-word. I’ve never spontaneously started quoting chapters from a novel or had a paragraph stuck in my head for days. Even poetry, stripped of music, just doesn’t have the staying quality of a good guitar hook or catchy bass line.
Knowing that such things would never be a part of my life as a writer had never really bothered me until the day I accompanied my guitarist friend, Chase, to a local music store. There, I learned what it truly is to be a musician and what it isn’t to be a writer.
Upon entering the shop, I was struck at once by the variety of equipment available to those in the music field. Guitars of all shapes, sizes and colors adorned the walls while shelf after shelf was devoted to a seemingly infinite array of accessories. There were wah-wah pedals, fuzz boxes, amps, speakers, strings and many items whose purpose I could not readily discern.
I was awed by this vast selection because, though I had shopped rather carefully and conscientiously for my computer, I had never even dreamed of so wide a range of choices in tools of the trade. Looking at a long glass case full of nothing but strings, I found myself wondering how it would feel to experiment with a different kind of paper or printer cartridge. Would it make a difference in the quality of my writing or prevent blisters on my fingers? Would a new chair or desk lamp make me look sexier? Would smashing my keyboard at the end of a chapter be cathartic, juvenile and artistic all at once? Could it be that I’d been waiting only for a change in medium to free the great art that’s been lying mostly dormant within my subconscious?
That day in the music store, Chase had his eye on particular guitar of considerable repute and the proprietor invited him to try it out. So, taking a seat on a stool, he plugged into an amp and began to strum. Soon, he was cranking out familiar Rolling Stones tunes and experimenting with Mark Knopfler inspired riffs. While shopping, Chase was creating! I was both stunned and openly envious, for I had never sat down at a keyboard in a computer store and wrote a story in order to determine the worthiness of a particular PC or word processing software. Maybe I should do more writing at Best Buy. I found myself wondering how they felt about me writing in my underwear to test out the computers.
This thought led me to another observation. Unlike writing, music is an immediate art. You pick up the guitar or sit down at the keyboard and you simply begin to play. Instantly, you are expressing yourself with only instinctual thought to style or form. Sure, such doodlings are not necessarily representative of a musician’s best work but I rarely warm up for a writing session by paraphrasing a Robert Frost verse or a Tom Clancy action scene or by simply hitting keys at random because it “feels right”.
As I was marveling at the perks of musicianship, another hirsute young man entered the shop and greeted Chase with the familiarity of a former band-mate. The friend, it seemed, was a keyboard player who was in the market for something called a MIDI but, when Chase started playing an old Joy Division song, the guy slipped behind a keyboard and joined right in.
I had to be greener than the Hulk’s nut sack because the envy was really flowing in me at that point. While I have, from time to time, collaborated with other writers on various projects, never have we shared such an immediate and intimate flow of ideas. Never were we able to lose ourselves completely in reconstructing the work of our heroes. Never would such a thing even be allowed! When one musician reproduces the work of another, it is called a “cover”, an “homage”, a “tribute even”. When a writer does that for more than a line or two, it’s called plagiarism. Cover prose just hasn’t caught on with the writing crowd.
I’ve had some great experiences as both a writer and a lover of music but that experience left me shaken. It made me question the nature of art and expression. Was what I had been doing a real art? If so, was it as valuable an art as music? Did writing contribute as much to the human experience as music? The answer to all those questions seemed to be a resounding NO and, for a while, I lost interest in writing.
Of course, that was a long time ago. More than a decade has slipped between me and that day at the music store and, as you can clearly see, my interest in writing has returned. But I never really got over it and, no matter how successful a writer I might one day become, I will never feel like a true artist.
So I sit in my room, drink my beer and type my silly little tales of rednecks in trailers. And I wait patiently for the day when the writers of the world will unite, rise up and kill every motherfucker who ever played three notes in a row. For, only when music is dead will writers ever be cool enough to get laid.
Countless teenage hours were spent alone in my room lip-synching to no one while, in my head, I saw ten thousands eyes (I was playing a small arena) glazed with wonder, staring up at me as their mouths moved in time with my own. Oh, how the busty and supple young girls in the tight tops and leather skirts would swoon when I punctuated a gritty guitar line with a nasty pelvic thrust against the mic stand, giving them a leer that made it clear I alone knew the secrets to unimaginable ecstasy.
Unfortunately, this noble dream, like oh so many others, was destined to fall far short of fruition.
Now, with my thirtieth birthday well behind me and the inevitable fear of old age starting to blossom in me, I must regretfully accept the fact that I will never be the next Jim Morrison, the next Bono or even the next Lead Singer from the Crash Test Dummies or That Guy from Phish Who Looks Like Chuck Norris.
Accepting my shortcomings makes me sigh heavily with regret but, even as my youthful hopes for a career on the rock ‘n’ roll road began to fade, I heard another calling. Yes, in the deep despair of my failure, I found another muse: writing.
So far, this avocation has not paid a single bill and I’m beginning to doubt that it ever will. But, paid or not, I am a writer. So, now, I pass my free time not with addictive melodies, sublime harmonies, infectious rhythms and a cornucopia of groupies and coked-out models but, rather, with carefully wrought sentences and studiously crafted stories. Instead of a Stratocaster, I wield a Bic pen (or, to be more accurate, a rather bulky and not-at-all-portable desktop PC). I weave my magic not before screaming throngs of adoring fans but sitting in my boxer shorts, alone in a dark room with only my cats and one Chihuahua to offer encouragement. And, most days, my pets are rather disinterested in my work.
In spite of all this, I do not despair for, as pathetic as this all sounds, I really enjoy what I do and I haven’t yet stopped dreaming of success.
The only thing that really depresses me about writing is that, even if become the next Stephen King, I’ll still never have the rush as even the lowliest rock star.
I’ve been to readings and book signings and I’ve seen rabid book fans but I’ve never seen a girl throw her panties onto the stage while David Sedairs reflected on his years living abroad and struggling with a foreign tongue. (But, to be fair, that’s a bad example. Throwing your panties to Mr. Sedairs probably wouldn’t accomplish much.)
I’ve listened to hundreds of audiobooks but I’ve never found myself talking along with the author or narrator, matching him word-for-word. I’ve never spontaneously started quoting chapters from a novel or had a paragraph stuck in my head for days. Even poetry, stripped of music, just doesn’t have the staying quality of a good guitar hook or catchy bass line.
Knowing that such things would never be a part of my life as a writer had never really bothered me until the day I accompanied my guitarist friend, Chase, to a local music store. There, I learned what it truly is to be a musician and what it isn’t to be a writer.
Upon entering the shop, I was struck at once by the variety of equipment available to those in the music field. Guitars of all shapes, sizes and colors adorned the walls while shelf after shelf was devoted to a seemingly infinite array of accessories. There were wah-wah pedals, fuzz boxes, amps, speakers, strings and many items whose purpose I could not readily discern.
I was awed by this vast selection because, though I had shopped rather carefully and conscientiously for my computer, I had never even dreamed of so wide a range of choices in tools of the trade. Looking at a long glass case full of nothing but strings, I found myself wondering how it would feel to experiment with a different kind of paper or printer cartridge. Would it make a difference in the quality of my writing or prevent blisters on my fingers? Would a new chair or desk lamp make me look sexier? Would smashing my keyboard at the end of a chapter be cathartic, juvenile and artistic all at once? Could it be that I’d been waiting only for a change in medium to free the great art that’s been lying mostly dormant within my subconscious?
That day in the music store, Chase had his eye on particular guitar of considerable repute and the proprietor invited him to try it out. So, taking a seat on a stool, he plugged into an amp and began to strum. Soon, he was cranking out familiar Rolling Stones tunes and experimenting with Mark Knopfler inspired riffs. While shopping, Chase was creating! I was both stunned and openly envious, for I had never sat down at a keyboard in a computer store and wrote a story in order to determine the worthiness of a particular PC or word processing software. Maybe I should do more writing at Best Buy. I found myself wondering how they felt about me writing in my underwear to test out the computers.
This thought led me to another observation. Unlike writing, music is an immediate art. You pick up the guitar or sit down at the keyboard and you simply begin to play. Instantly, you are expressing yourself with only instinctual thought to style or form. Sure, such doodlings are not necessarily representative of a musician’s best work but I rarely warm up for a writing session by paraphrasing a Robert Frost verse or a Tom Clancy action scene or by simply hitting keys at random because it “feels right”.
As I was marveling at the perks of musicianship, another hirsute young man entered the shop and greeted Chase with the familiarity of a former band-mate. The friend, it seemed, was a keyboard player who was in the market for something called a MIDI but, when Chase started playing an old Joy Division song, the guy slipped behind a keyboard and joined right in.
I had to be greener than the Hulk’s nut sack because the envy was really flowing in me at that point. While I have, from time to time, collaborated with other writers on various projects, never have we shared such an immediate and intimate flow of ideas. Never were we able to lose ourselves completely in reconstructing the work of our heroes. Never would such a thing even be allowed! When one musician reproduces the work of another, it is called a “cover”, an “homage”, a “tribute even”. When a writer does that for more than a line or two, it’s called plagiarism. Cover prose just hasn’t caught on with the writing crowd.
I’ve had some great experiences as both a writer and a lover of music but that experience left me shaken. It made me question the nature of art and expression. Was what I had been doing a real art? If so, was it as valuable an art as music? Did writing contribute as much to the human experience as music? The answer to all those questions seemed to be a resounding NO and, for a while, I lost interest in writing.
Of course, that was a long time ago. More than a decade has slipped between me and that day at the music store and, as you can clearly see, my interest in writing has returned. But I never really got over it and, no matter how successful a writer I might one day become, I will never feel like a true artist.
So I sit in my room, drink my beer and type my silly little tales of rednecks in trailers. And I wait patiently for the day when the writers of the world will unite, rise up and kill every motherfucker who ever played three notes in a row. For, only when music is dead will writers ever be cool enough to get laid.

